Team America, Fuck Yeah!
reviewed Sun, 20 Feb 2005
"Making Team America
was just not that fun," Trey Parker has said. "It was, most of the
time, horrific."
Well, thank you, Trey and Matt, for your suffering (and for the many
entertaining interviews you've given to promote this movie). The
boys cleverly used the real-life events around the movie to ridicule
hypocrisy and idiocy as much as the film itself does, most famously by
complaining about the MPAA's moronic aversion to the extended
marionette sex scene. Matt Stone carped that the cuts the MPAA
board ordered in the sex scene (it took 9 tries to
get the board's approval) completely changed the tenor
of the characters' relationship: "The puppets [originally made]
love for about three and half minutes, now it's just a cheap one-night
stand."
Parker and Stone originally wanted to do an all-marionette
remake of The Day After Tomorrow, but
lawyers nixed that idea. While I wouldn't mind seeing that
oeuvre, I'm happy with Team America: World Police,
the all-marionette skewering of the U.S.'s chest-beating
jingoism. The marionettes themselves are astonishingly lifelike;
they've got more range of expression than, say, Rene Russo or Tom
Cruise. The laughs are frequent -- and as hit-or-miss -- as in South Park,
with the added bonus of slamming the obnoxious foreign "policy" of the
current regime, and I loved the fierce "panthers" (you'll have to see
the movie to understand).
The movie mocks brain-dead blockbusters as much as, if not more than,
politics (Trey Parker describes the typical Jerry Bruckheimer hero's
character arc thusly: "'I'm
fucking awesome! I'm fucking sweet! I ... am ... awesome.' Then
in the
middle of the movie comes the point where 'maybe I'm not so awesome,'
and then in the end he's like, 'Nooo, I am. I am awesome.'"); the best
song in the film begins, "I miss you more than Michael Bay missed the
mark when he made Pearl
Harbor," and choruses with, "All I'm trying to say is Pearl Harbor sucked, and
I miss you."
The ridiculing of anti-war celebrities gets pretty tedious, partly
because this easy yet utterly pointless target takes on more
significance than the terrorists (led by Kim Jong-Il) who they are
inadvertently helping, partly because it's so juvenile (calling their
coalition the Film Actors Guild, a.k.a. F.A.G.). I took
particular umbrage at the gratuitous depiction of Matt Damon, one of
the more intelligent, thoughtful actors out there, as a drooling idiot
(my umbrage lessened when I read that
this characterization had nothing to do with Damon himself; Stone said
that when Damon's puppet came out of the oven, "he just
looked retarded. ... Honestly, I think Matt Damon
is one of the better actors around. ... And for no real reason, he is
retarded in this
movie").
I think this mean-spirited, childish mocking backfires; I
noticed in the audience I saw it with the dynamic that concerned Hank
Stuever of the Washington Post:
"Stunned by all the fun, I am
almost moved to salute Parker and Stone
for their nuanced and careful takedown of American jingoism and the
seemingly
disastrous foreign policy that Team America stands for.
Only that isn't quite how it played
to an audience on Tuesday night,
at one of those free-ticket radio station giveaway previews in a packed
cineplex in Northwest Washington. The biggest laughs came when 'Team
America'
assaulted any and all concepts of ethnicity, or when the joke was on
gays,
Michael Moore or a vast left-wing idiocy.
The
movie feels like an elaborate inside joke on the very Americans
laughing hardest at its easiest gags, oblivious to the sly, allegorical
digs at a USA brand of bravado. What I took as a lampoon of Bushworld
seemed
to be received, in the seats around me, as a triumph of Bushworld."
I trust none of you will miss the joke as badly as many people
seem to, but it's still disturbing that Parker and Stone made the
liberal-bashing so outlandish and so prominent that it overshadows the
self-obsessed, self-righteous, overbearing sanctimony of Team
America. Amazingly, the South
Park guys are too subtle (likewise, I remember reading a review
of South Park's latest season
where the reviewer complained the show had become the sort of trite
morality lesson it used to mock -- clearly someone who missed the point
as badly as Michael Bay did in Pearl
Harbor).
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