Get out of my dreams, get into my car

reviewed Tue, 11 Dec 2001

One of the trailers for Ocean's 11 ends with George Clooney saying, "Either you're in or you're out."  And every time I see it, I can barely restrain myself from shouting, "In, in!  I'm so in!"  As I told my brother, the trailers make it look like the whole movie is just Clooney, Brad Pitt, Matt Damon, et al. standing around looking cool -- and I'm totally okay with that.   There's one scene in the movie where Clooney, Pitt, and Damon all get into an elevator together and I tell you, I have never wanted so badly to be stuck in an elevator for an indefinite period of time.

Those three actors get the most screen time and are the most entertaining (not to mention the yummiest); Pitt and Clooney especially have an easy rapport that makes you think they've been friends since 5th grade.  Of the remaining bunch, the best are Elliot Gould hamming it up as a flamboyant ex-casino owner and Bernie Mac (the scene between him and Matt Damon is terrific).   Scott Caan and Casey Affleck show why nepotism is a bad thing, although at least they're believable in their roles as annoying idiots.  (Honestly, they belong in those movies the Mystery Science Theater guys used to watch, which would trumpet "Travolta and Stallone!" and then you would read the small print and see it was Joey Travolta and Frank Stallone.   Michael Douglas' and Sean Connery's brothers made a career out of these direct-to-video movies; why can't Scott Caan, Casey Affleck, Stephen Baldwin, and all those other actors and actresses whose main talent is having a famous relative do the same?)

Unfortunately, Julia Roberts never makes you believe anyone would knock over a 7-11, much less three casinos, for her.  She's humorless and unpleasant nearly every second she's on screen, with a tight, drawn look that makes her seem much older than she actually is.  She has zero chemistry with Clooney, which sort of knocks the wind out of the idea that he's doing this complex, highly dangerous robbery to win her back.  Plus, the breezy, fast-paced action stops dead whenever she's around -- although, sure, it gives Clooney an excuse to go all bedroom-eyes and seductive, so it's a fair trade-off.

The movie zips along briskly and flashily, not dwelling much on details like plausibility or character continuity.  It's all style and no substance (I bet more money was spent on Clooney's wardrobe than on the script).  Yes, it's fun and enjoyable, but take it from me: don't poke below the surface or you may find your amusement dwindling.  Although I had a good time watching it, I found myself thinking afterwards that it seemed like kind of a waste of the very talented people involved.  On the other hand, it seems like they had a blast making it, and that sense of fun carries over.  So... let's say it's a fun night out but no classic.

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