The Good, the Bleh, and the Ugly

reviewed Jan 2005

The Good

Two modest British films topped my recent spate of DVD viewing.  Shaun of the Dead is an amiable comedy about two aimless friends, Shaun and Ed, who are suddenly confronted by a plague of zombies.  They aren’t exactly heroic about it at first, but eventually they rise to the occasion.  There are few moments of out-and-out gore (although when one comes along, it’s usually quite nasty); the film has an irresistible, cheeky charm (it takes a clever swipe at its predecessor in the “young Brits vs. zombies” genre, 28 Days Later).  It’s funny in slapsticky but also more subtle, dry ways (it takes the guys a while to cotton on, for example, because they and everyone around them are practically zombies anyway, robotically droning to and from work in a mindless, numbing routine).  Dare I say – it’s a bloody good time.

 
Birthday Girl, I’ll admit, didn’t totally hang together, but I enjoyed the movie enough that I forgave its minor suspension of disbelief.  The terrific cast helps:  Ben Chapin is great as shy bank clerk John, as is Nicole Kidman as Nadia, the Russian internet bride he orders up.  Mathieu Kassovitz and Vincent Cassel are excellent as Nadia’s “cousins,” who show up at John’s door – and get rather peeved when he finally gets up the courage to tell them to leave.  Birthday Girl is a well-crafted film, just what I expected based on the quote I’d seen from writer-director Jez Butterworth.

 

The Bleh

Intermission got great reviews, but I can’t see why.  It’s reasonably entertaining – various Dubliners’ lives intersect in love and crime – but no great shakes.  Its light-heartedness drops suddenly for a violent ending, which is jarring.  Perhaps the most memorable character is the nameless, evil little boy who pops up to precipitate the event that triggers the climax of the various stories – and him only because he’s such a little shite.

 
The Believer’s hook is a neo-Nazi who’s also Jewish.  Although it more or less kept me interested – star Ryan Gosling is charismatic in a horrifying way – its fatal flaw is that you never get how or why he preaches violent anti-Semitism in public but privately, reverently practices.  It’s not clear if he’s trying to spur Jews to action, or if he thinks he’s some kind of martyr, or if he’s just really, really fucked up.

 
I’m Not Scared (Io non ho paura) is marketed as a tense thriller, but it’s hardly that, a few startles aside.  Young Michele, playing near a deserted farmhouse, discovers a boy his own age – chained in a hidden, pitch-black pit.  It’s well done, and it’s nicely unpredictable, but I found myself losing interest and becoming frustrated by the gaping, unaddressed plot hole – why does Michele never even consider telling an adult about his discovery?

 
The Legend of Suriyothai is a sprawling, Thai epic that’s of interest for its exoticism, but it’s too long and dragging to recommend.  I guess I wasn’t paying enough attention, because I kept confusing the many characters, which didn’t help matters.

 

The Ugly

demonlover is a foul pustule of misogyny, violence, and amorality.  A bunch of unpleasant corporate sharks viciously sabotage each other, all in the name of getting their scummy hands on a web site that shows repulsive, graphic anime.  After watching about half of it, I was disgusted by its very existence, not to mention by everyone affiliated with it.  Just when Gina Gershon had almost erased the taint of Showgirls, she goes and does this (and this movie makes Showgirls look like a fairy tale).

 
World Traveler inspired somewhat less rancor in me, but it still was bad enough that I didn’t get more than a half-hour into it.  I was particularly annoyed by its abuse of Billy Crudup, who plays an apparently soulless architect who deserts his wife and son on the son’s birthday, with no clue as to why on his expressionless face.  No apparent mitigating circumstances, no evident remorse – not interested.

Dodgeball is a crass, lowest-common-denominator stinker that gives Ben Stiller yet another unwelcome opportunity to do his seething, creepy dork act.  But hey, if watching guys get hit with various objects, often in the groin, is your idea of a good time, Dodgeball is 92 minutes of heaven.

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