13 inches of boogie

reviewed Tue, 28 Oct 1997 19:29:19 EST

This is what I hate about the film industry. Boogie Nights averaged almost $29,000 per screen last week (to give you some reference point, the #1 film last week averaged just $6,000 per screen), and the morons who run the theaters don't get the point: that there is a market for these films, that they need to be on more than just one screen per city. I've been trying to see Boogie Nights for weeks, but every show I went to had a line around the block 45 minutes before the film started. The only reason I got to see it today was that the DC city government shut off the water in our building, so we got to leave work early, and I could go to an uncrowded weekday matinee. So, I'll probably never say this again, but thank you, Marion Barry.

Okay, sorry to do my rant at the beginning of the review instead of the end. On to the movie. I really liked it, although I wouldn't rank it as one of the best movies of the year like every other critic in the country. It's vibrant and original, with a good eye for the details of the 1970s and 80s. You wouldn't tend to think of adult films as a family industry, but that's what Boogie Nights makes them out to be: movies made by a tightly knit group of dysfunctional people who manage to function with each other.

The acting is universally excellent, the film is well-written, and director Paul Thomas Anderson is very good at crafting individually engrossing scenes, although he has a problem stringing them together. The best scene is the climactic shoot-out, in which he manages to create a tense atmosphere, signaling underlying evil with a subtlety unknown to most Hollywood directors. Although the underlying evil might just have been Night Ranger's "Sister Christian."

The movie is overlong, though, and a lot of the characters are underdeveloped. I would have liked to know more about Buck (Don Cheadle) who seemed like an appealing character and had plenty of salient plot points, but zero background. Also, Eddie/Dirk's (Marky Mark) transition from naive New Kid on the Block to prima donna was too abrupt. If you really want to see Marky Mark Wahlberg act, I recommend renting Traveller, just out on video -- he's good in Boogie, but he's much better in Traveller. By the way, I have to relate his comment about the 13-inch prosthetic penis he wears in the film: "I don't want to go out with someone who has seen this movie and is looking for something they're not going to find." And I can't help wondering how much that must have hurt to take off... and the poor (or lucky, depending on your point of view) make-up person who had to apply it....

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